James Turrell in Palo Alto: hot art bling is the new thing in Silicon Valley

The May 14 relaunch of the San Francisco Museum of Modern Art has lots of people buzzing in anticipation. But downtown San Francisco is not the only place where truly exciting things are happening on the visual arts front.

Superstar artist James Turrell, for instance, is touching down in Palo Alto with a pocket-sized exhibition, ahead of the re-opening of a popular installation of his at the Los Angeles County Museum of Art in late May.

Turrell is famous for his meditations on light and space that play with your depth perception. Take the most eye-catching piece in the inaugural show at the newly opened Pace Gallery in Palo Alto. “Pelée” is a curvaceous LED screen that looks like a window — or really, more like an opening in the wall to another world.

“You’ll see reds, and that can fade into other colors,” says Pace Palo Alto president Elizabeth Sullivan. “It’s just beautiful, mesmerizing, really meditative in a way.”

Sullivan figures the most casual passer-by will be entranced by the light of the artwork spilling out onto the street. Even those unfamiliar with Turrell’s work may have been exposed by Drake’s video for “Hotline Bling,” albeit without Turrell’s consent: his work was ripped off. (For the record, Turrell has reportedly said he’s not bothered by the hip hop artist co-opting his art.)

[embedded content]

Pace, which has represented Turrell for years, is a bit of an art world celebrity, too. The global art gallery empire, based in New York with four galleries there, maintains outposts in London, Paris, Beijing and Hong Kong.

Sullivan won’t say why Pace picked Palo Alto over more obvious choices like San Francisco or Los Angeles. But the local community is happy about the choice. “People in the art world are so excited that Pace would choose to come to Silicon Valley,” says Cathy Kimball, executive director of the San Jose Institute of Contemporary Art.

Pace started on the Peninsula with a “pop-up” gallery in Menlo Park in a converted Tesla showroom that is slated for demolition. There were a handful of solid exhibitions featuring artists such as Alexander Calder and Tara Donovan. Then came a blockbuster by a Japanese group called teamlab, which makes ancient Japanese art come alive in floor-to-ceiling digital animations.

[embedded content]

From her vantage point to the south, Kimball looked on with some envy as Pace drew in 45,000 people in less than three months. “That teamlab animation is something to marvel at,” Kimball says. “It’s immersive. It’s so animated. There’s so much to look at.”

Kimball insists she’s not really feeling competitive with Pace, though she wishes her organization had resources more in line with the shiny new neighbor up the road. “Pace certainly has a kick-ass team,” Kimball says. “They also have a kick-ass budget. There aren’t a lot of us who can mount a Turrell show or a teamlab show in the degree that they did in Menlo Park.”

Pace is not the only big art muscle flexing on the Peninsula. In the past five years, Stanford has built an arts district in the heart of its campus. The site includes a new museum next to the Cantor Arts Center built to house the Anderson Collection, which was assembled by a prominent Bay Area family.

A room at Stanford's Anderson Collection. From left to right:

A room at Stanford’s Anderson Collection. From left to right: “Timeless Clock,” by David Smith (1957); “Lucifer” by Jackson Pollack (1947); “Transfiguration III” by Adolph Gottlieb (1958); and “Figure 8” by Franz Kline (1952).


Courtesy of Johanna Arnold


On a recent Saturday, a group of curators, gallery owners, collection managers and other visual arts professionals took a private tour of the museum. The tour was put together by the local chapter of Art Table, a non-profit that usually organizes special events like this one in San Francisco and the East Bay.

But that’s changing, says chapter co-chair Kathy Kenyon. “I think it’s real exciting what they’re doing here with this whole arts section, with the Anderson Collection, and bringing over the art department so that it is directly connected with the museums here is a huge thing,” Kenyon says. And all of Stanford’s art collection is available to the public for free.

There’s more to the scene than the high profile glamour of Stanford and Pace. Municipalities on the Peninsula are also doing a fair bit to nurture local talent. A number of them, including Redwood City, commission and exhibit local artists. Palo Alto goes a step further, providing studio space for 25 artists.

“Ribosome Metamorphosis,” by chemist-turned-artist Michal Gavish (2016). She’s one of the artists who’s benefited from Palo Alto’s city-sponsored, affordable studio space.


Courtesy of Michal Gavish


“Artists and arts groups can be considered here an endangered species,” says Rhyena Halpern, who oversees the city’s public investment in the arts as assistant director of Palo Alto’s Community Services Department. “Because the cost of living is so high, and the cost of doing business is so high.”

But the very same economic boom has created more people in a position to invest in art. Pace, Halpern says, could well be the harbinger of things to come. “That they took this risk to come here to see what they could do, see if there was a collector base they could tap into: very smart,” Halpern says. “But what it gives the community in return is this amazing access. You know, down the street. It’s incredible!”

Sign up to receive the best Underground art & real estate news in your inbox everyday.

We don’t spam! Read our privacy policy for more info.

This post was originally published on this site